By Eric Zuesse
When Fareed Zakaria was suspended on Friday from Time and CNN, for plagiarism, this wasn't merely justice, it was poetic justice: it rhymed.
What it rhymed with was his own lifelong devotion to the global economic star system that he, as a born aristocrat in India, who has always been loyal to the aristocracy, inherited and has always helped to advance, at the expense of the public in every nation.
He was suspended because, as a born aristocrat, who is a long-time member of the Council on Foreign Relations, the Trilateral Commission, the Bilderberg Group, and many other of the global aristocracy's primary organizations, he is so well-connected that his writing-commissions are more than any one person can possibly handle, and he consequently cannot possibly actually write all that is attributed to him. He certainly cannot research it all.
Like many "writing" stars, he has a staff perform much of the research and maybe even actual writing for him, and many in his situation are actually more editors than they are writers; but, regardless, he cannot let the public know that this is the way things are, because this is simply the way that the star system works in the "writing" fields, and because the public is supposed to think that these stars in the writing fields are writers, more than editors.
And, it's a very profitable system for such stars. As Paul Starobin said, headlining "Money Talks," in the March 2012 Columbia Journalism Review, Zakaria's speaking fee is $75,000, and "he has been retained for speeches by numerous financial firms, including Baker Capital, Catterton Partners, Dreihaus Capital Management, ING, Merrill Lynch, Oak Investment Partners, Charles Schwab, and T. Rowe Price."
So, he's clearly a very busy man, with a considerable staff; he can't possibly do everything himself.
But he needs to appear as if he does. He needs to present everything "he" does, as "his."
Most of the top-paid people in the media are "writers" whom the public are deceived to believe do all the researching and writing of "their" material. The actual writers (usually called "research assistants," or sometimes just "interns"), unlike these bosses, lack the connections to be able to succeed "on their own," and are therefore obscure workers for these aristocrats -- the writing-stars who make the big incomes. If one of these workers bows down sufficiently to his boss so as to be plucked by him to become a star "on his own," then that lucky acolyte will almost certainly share the existing hierarchical values of his boss, and so may become a new aristocrat in the full sense, and go on to produce his own reputation, and perhaps even dynasty. But the others will never win the connections and thus the money.
This is the world Fareed Zakaria has actually lived in all of his adult life, and even before that -- it was the world he saw around him when his father was a politician with the Indian National Congress, and his mother was the editor of the Sunday Times of India. He knew how corruption works, because he was surrounded by it, all the time.
Fareed Zakaria knows the way it works. So, he cannot afford to admit when he is being credited with the work of his employees. Far less damaging to him is to admit that he has done plagiarism himself, as he has admitted in this particular case -- regardless whether it's true.
Read the rest here.